Eleanor, When first I heard this lie-I called it so In anger for you, I will call it so, Though your lips contradict me, till the last
#ARE YE MADIENS WITH YOUR DOWNCAST EYES FULL#
Think, I all alone, So many reasons, all my friends so fain, My mother pressing me, Sir Joyce so good, So full of promises, he who could choose No bride among the highest ladies round But she would smile elate and all her kin Bow low and thank him and go swelled with pride- You cannot wonder that my friends declare They’ll hear no Noes, but force me to my good. THE OLD YEAR OUT AND THE NEW YEAR IN 74.These images show us the mise en abyme, made possible by the mirror or mirror game that Vivian Maier explores. In her self-portraits produced with the mirror, the photographer's presence is almost always posed in an unfolded scene, rebuffed in multiple perspectives, leading us to question the very condition of self-portrait, self-image for oneself and the other's eye. Estas imagens nos mostram a mise en abyme, possibilitada pelo jogo de espelho ou de espelhamento que Vivian Maier explora.Palavras-chave: Vivian Maier Autorretrato Imagem.Abstract: This article analyzes some self-portraits of Vivian Maier while construction of scene, species of fiction, appealing to Barthes, and to the concept of mise en abyme, according to the French writer André Gide. condição do autorretrato, da imagem de si para si mesmo e para o olho do outro. Em seus autorretratos produzidos com o espelho, a presença da fotógrafa é quase sempre posta em cena desdobrada, rebatida em perspectivas múltiplas, conduzindo-nos a questionar a própria. Resumo: Este artigo analisa alguns autorretratos de Vivian Maier enquanto construção de cena, espécie de ficção, recorrendo a Barthes, e ao conceito de mise en abyme, conforme o escritor francês André Gide. Next, we consider narrative thought, schema theory, and categorization, ending with what we, following Mark Turner, call the “literary mind,” and the role of mental images and the creative imagination. The chapter proceeds to a consideration of sleep and dreams, as well as of the cognitive unconscious, and a review of current knowledge about memory, another major focal point of literary and cultural studies today. Equally important is the section on perceptual systems, including the fact that not all perception is mediated by language, contrary to what is assumed in most theory. Since ideas related to selfhood and self-identity are central and crucial concerns in literary studies, this section illuminates particularly the pertinence of the integrated, interdisciplinary approach that we are proposing. First, we present an approach to consciousness and concepts of self, based on the latest relevant research from scientific fields as well as the humanities. The subject of this chapter is the mind: the activity of the brain.
0 kommentar(er)
